![]() On this new record, I tuned to C#-the Black Sabbath tuning-but on anything else that involves piano, it’s always standard tuning. On the first album, I dropped the E string to A, so I had two A strings on the bottom. ![]() On the early records, I would drop the low E string down to B, so the rest of the strings are normal, and all the scale patterns would still be the same. What are the drop tunings that you use most? I mean King Edward didn’t just wake up one day knowing how to play “Spanish Fly.” This is stuff you can do while watching TV, but the important thing is to do it constantly. You can go from playing pentatonic scales and diatonic scales and harmonic minor scales, then you start working in passing notes, and bring things up to speed by constant repetition. So when you’re cooking stuff, you can put a little bit of seasoning salt from everything you’ve learned from all these different amazing players and bands that you love listening to. That’s your Rolodex of knowledge, and your pantry of flavors. You learn certain things from Dime and certain things from Metallica-like how to compose song structures and stuff like that-and certain things from Zeppelin or Sabbath. That’s all it takes-so you learn those riffs and you expand on them. That’s why I sometimes just grab a bass when practicing. The cool thing is that so much of that stuff, whether you’re talkin’ Zeppelin or AC/DC or Sabbath, can be played on one or two strings. I mean, you can tell a kid that it’s important to learn from Clapton or Hendrix or whoever, but it’s not going to do them any good if they don’t like that kind of music. When you were teaching guitar, what were some of the things that you instilled in your students?Ī lot of it was just helping them learn how to play the stuff they loved listening to. So you’ve got to know what it is you’re going for, and use the right sounds for it. If you want to write stuff that sounds like Dickey Betts, you’re probably going to want to back off the distortion, and maybe just play straight into the amp. If you write on an acoustic guitar or piano, it’s going to bring out entirely different things, and you’ll write songs that sound like Neil Young or Elton John. If you’re using an overdriven tone, that’s going to bring out certain things. You have to be inspired by things that you’re into, and your technique and sound play right into that. Songwriting is all about creating what it is that turns you on. How do technique and tone factor into your songwriting? When I recently came off the road with Sabbath, I had like 22 days to write songs for the new Black Label album, so that’s what I did every day until we had enough tunes to go in and record. It’s like a daily muscle-building workout, and, sometimes, it leads to coming up with new riffs that turn into songs. The patterns and the picking and all that was just a mindblowing experience for me. My guitar teacher turned me onto McLaughlin, and that was my first time hearing somebody play pentatonics that way. His use of pentatonic scales is just so extreme-even on acoustic-and he’s picking everything.
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The most common structure is ciphered-additive with a decimal base, with or without the use of multiplicative-additive structuring for the higher numbers. These various systems do not have a single unifying trait or feature. Acrophonic numerals do not belong to this group of systems because their letter-numerals do not follow the order of an alphabet. Roman numerals and Attic numerals, both of which were also alphabetic numeral systems, became more concise over time, but required their users to be familiar with many more signs. In mathematical and astronomical manuscripts, other methods were used to represent larger numbers. Ancient Aramaic alphabets had enough letters to reach up to 9000. ![]() The Arabic abjad's 28 consonant signs could represent numbers up to 1000. Unlike the Greek, the Hebrew alphabet's 22 letters allowed for numerical expression up to 400. ![]() The Greek alphabet has 24 letters three additional letters had to be incorporated in order to reach 900. However, since writing systems have a differing number of letters, other systems of writing do not necessarily group numbers in this way. As the alphabet ends, higher numbers are represented with various multiplicative methods. Decimal places are represented by a single symbol. In Greek, letters are assigned to respective numbers in the following sets: 1 through 9, 10 through 90, 100 through 900, and so on. Besides this traditional system, another one was developed in France in the 20th century, and yet another one in the US.Īn alphabetic numeral system employs the letters of a script in the specific order of the alphabet in order to express numerals. Even though 1829 braille had a simple ciphered-positional system copied from Western numerals with a separate symbol for each digit, early experience with students forced its designer Louis Braille to simplify the system, bringing the number of available patterns (symbols) from 125 down to 63, so he had to repurpose a supplementary symbol to mark letters a–j as numerals. The newest alphabetic numeral systems in use, all of them positional, are part of tactile writing systems for visually impaired. īy the 16th century AD, most alphabetic numeral systems had died out or were in little use, displaced by Arabic positional and Western numerals as the ordinary numerals of commerce and administration throughout Europe and the Middle East. Alphabetic numeral systems were known and used as far north as England, Germany, and Russia, as far south as Ethiopia, as far east as Persia, and in North Africa from Morocco to Central Asia. ![]() After the adoption of Christianity, Armenians and Georgians developed their alphabetical numeral system in the 4th or early 5th century, while in the Byzantine Empire Cyrillic numerals and Glagolitic were introduced in the 9th century. The Arabs developed their own alphabetic numeral system, the abjad numerals, in the 7th century AD, and used it for mathematical and astrological purposes even as late as the 13th century far after the introduction of the Hindu–Arabic numeral system. Both were developed from the Greek model. In North Africa, the Coptic system was developed in the 4th century AD, and the Ge'ez system in Ethiopia was developed around 350 AD. The Gothic alphabet adopted their own alphabetic numerals along with the Greek-influenced script. Other cultures in contact with Greece adopted this numerical notation, replacing the Greek letters with their own script these included the Hebrews in the late 2nd century BC. The first examples of the Greek system date back to the 6th century BC, written with the letters of the archaic Greek script used in Ionia. The system's structure follows the structure of the Egyptian demotic numerals Greek letters replaced Egyptian signs. The first attested alphabetic numeral system is the Greek alphabetic system (named the Ionic or Milesian system due to its origin in west Asia Minor). ![]()
![]() ![]() The only place you have privacy on the boat is the bathroom.” Even bathroom sanctity has limits cast members are informed at the beginning of a season that if two or more people enter one at the same time, a camera should be expected to follow. “They’re here to share every aspect of their lives,” said Mr. Once the network has convinced nine professional yacht workers to open their lives up to a TV audience, production’s task is to outfit a boat in such a way that it becomes virtually impossible for them to escape that audience. “Every location we go to, there’s some sort of special flavor of Pringles,” said Mr. Simultaneously, on one monitor, the yacht’s chef, Hindrigo Lorran, nicknamed Kiko, prepared a sumptuous spread of jamon Ibérico to tide the guests over until their six-course dinner. But I just start stress-eating Swedish Fish.” “I get halfway through a thing of gummies and I’m disgusted with myself. Cox, perusing a packed shelf of Spanish supermarket treats. “I eat stuff in the control room that I would never eat in my real life, ever,” said Mr. In the control room, where crew members had been working since six that morning, anxiety begat snacking. Per production policy, the production crew cannot influence the captain’s decision about how or when to operate the boat - such as by notifying her that the wind has died down to insurance-approved levels.Ĭast members scrambled, around midday, to orchestrate a beach picnic that would distract the guests from the fact their seafaring was being limited to those waves that had migrated from the open water to lap gently against their docked luxury yacht. The problem was wind gusts, which, for insurance reasons, precluded Captain Sandy’s attempt to pull out of the crowded marina, lest she assume personal liability for any possible damage or injury, to the tune of tens of millions of dollars. Which is why it was tough, that September morning, to tell who was more distressed that the yacht had not left the dock: the captain or the network executive. “The window for shooting the show is the window and that’s it. ![]() He was seated in “Below Deck” mission control as part of his traditional once-a-season set visit to ensure production was running smoothly. “You can’t say, ‘Oh, the show’s not going great. It is, for a reality show, uncommonly constrained by the bounds of reality. Whereas a season of “Housewives” might shoot for four to five months, “Below Deck” is allotted one third of that time to produce the same number of episodes. The operation’s inherent expense and scheduling logistics - booking 47 hotel rooms for six straight weeks for production, for instance - render the filming timeline largely inflexible. At its salty core, the franchise is a workplace drama. Viewers are told, and immediately permitted to forget, their names as, one after another, each group of six to 10 high-rolling vacationers is welcomed aboard. The ultrawealthy guests are still more evanescent. Apart from captains and chief stewardesses, the majority of crew members arrive fresh each season, and are never seen again. Unlike Bravo’s ostensible tentpole franchise “The Real Housewives,” which depicts the lives of the same cabals of wealthy women year after year - and often underperforms “Below Deck” in ratings, according to Noah Samton, a senior vice president of current production for Bravo - the yacht shows feature few familiar faces. Typically, every incarnation is set in a new locale and follows what is presented generally as an eight to 10 trip “season” in the life of a luxury charter boat, from the perspective of the vessel’s crew. Those who have never seen “Below Deck,” “Below Deck Mediterranean” or “Below Deck Sailing Yacht,” and who do not wish to spend the rest of their lives glued to Bravo’s flotation-themed programming, must never, ever watch even one minute of either program, for the “Below Deck” franchise lures in viewers with the pitiless ease of sirens summoning sailors to hurl their ships against the sun-warmed Grecian coast. White’s breezy protestations hours earlier. White’s reaction: a newly-arrived boat was obstructing her path through the marina - exactly as her boss, Captain Sandy Yawn, had warned might happen, over Ms. ![]() According to the Congressional Budget Office (CBO), revenues have accounted for about three-quarters, on average, of the effect of automatic stabilizers on the budget over the past 50 years ( CBO 2015). For instance, outlays for unemployment insurance increase when the unemployment rate rises, and spending on anti-poverty programs like Medicaid and SNAP increases during recessions because bad economic times mean that more people are eligible.Īs shown in the chart below, the bulk of the value of automatic stabilizers comes from changes in tax revenues, rather than from spending on programs. Spending on some transfer programs also depends on the state of the economy. For example, personal and corporate income tax collections decline during recessions along with income and profits, and payroll tax collections decline when employment and wages fall. Most taxes have a stabilizing effect because they automatically move with economic growth. What are the components of automatic stabilizers?īoth taxes and spending can have stabilizing effects on the economy. Most automatic stabilizers are federal states and localities are generally required to balance their budgets, so they can’t run big deficits during downturns. When times are better, automatic stabilizers generally phase down or turn off. Additionally, with a decline in income, a household may become eligible for unemployment insurance (UI), food stamps (Supplemental Nutrition Assistance Program, or SNAP), or Medicaid.Īutomatic stabilizers don’t just help families facing financial difficulties-they also help the overall economy by stimulating aggregate demand when times are bad and when the economy is most in need of a boost. For example, when a household’s income declines, it generally owes less in taxes, which helps cushion the blow. During a recession, automatic stabilizers can ease households’ financial stress by decreasing their tax bills or by boosting cash and in-kind benefits, all without changes in the tax code or any other new legislation. ![]() What are automatic stabilizers?Īutomatic stabilizers are mechanisms built into government budgets, without any vote from legislators, that increase spending or decrease taxes when the economy slows. ![]() So economists and others are looking towards expanding provisions in the law that automatically increase spending or reduce tax bills when the economy turns down. But with political polarization in Washington, there is concern that Congress won’t move quickly enough to cut taxes or raise spending (known as discretionary fiscal policy) to buffer the effects of a crisis. Thus, the role of fiscal policy in economic stabilization is being viewed with increasing importance. With interest rates already very low, monetary policy may not be able to carry the entire burden of mitigating economic downturns. ![]() ![]() To the screen, we apply a substance called emulsion, which is sensitive to light. Based on your desired end results, our t-shirt printing team will select the best mesh screen for your order. The design is first printed on a transparent sheet of film. Once you have created your design, we go about preparing the screen that will be used to get your design printed on your shirts. We can also help you select the right shirt and ink colors. Need help designing a logo that perfectly captures your vision? You can rely on our professional design team. Use our professional printers and designers. is here to offer counsel and assurance through every step of the t-shirt printing process. “But I’m not a graphic designer,” you exclaim. Shirt brand, style, material, and color.When you order your shirts, you will have to determine the: You contact your shop to place the order and that is where the Los Angeles, CA t-shirt printing journey begins. You’ve decided you want to have some t-shirt printing done for some upcoming occassion, work group, sports team, or something else. Have you ever wondered about the journey that plain cotton tee has gone through to become the beauty you see hanging in your closet or reflected in the mirror today? The T-Shirt Printing Process Many of our t-shirt printing customers come to us for special occasions and events, so we understand the excitement that surrounds these shirts. For those who have never experienced the process, t-shirt printing is a mysterious endeavor. One might go so far as to call it magic, but we aren’t one to toot our own horn. You give your order to your favorite screen printer and receive a package filled with custom-designed, nicely folded t-shirts a few days later. Placing a custom t-shirt printing order can come with an air of mystery. in just a few days! Contact us now for details. Louis-based facilities offer rush shipping to anywhere in the U.S. Ask us questions or place your order by calling us at 63 or sending us a message at 63 today. You may be wondering about what we can do for you, our methods, or how to place your order. Our Los Angeles, CA t-shirt printing abilities and excellent customer service set us apart. We have been serving the screen printing and embroidery needs of the people of Los Angeles, CA and throughout the country for over 45 years. is one of the best t-shirt printing companies for individuals, families, and businesses in the Los Angeles, CA area. When you do need Los Angeles, CA t-shirt printing services, it’s important to find a screen printing company that is skilled at printing, can help you with your design, and can have your order ready when you need it. Are you tasked with bringing a work or sports team together? Are you hoping to mark a special life event with a lasting memento? Do you want to raise money or awareness for a cause or market a business? ALl these very different goals can be accomplished with the right t-shirt printing services. Do you have a special event coming up? Well, getting custom printed t-shirts is a great idea either way! Los Angeles, CA t-shirt printing is a powerful and versatile tool. Full body measurements, dress & shoe size will be updated soon. Flula Borg’s height Unknown & weight Not Available right. He is from Germany.įlula Borg current age 37 years old. He earned the money being a professional DJ. Let’s check, How Rich is Flula Borg in 2019-2020?Īccording to Wikipedia, Forbes, IMDb & Various Online resources, famous DJ Flula Borg’s net worth is $1-5 Million at the age of 37 years old. Short Profileįlula Borg estimated Net Worth, Salary, Income, Cars, Lifestyles & many more details have been updated below. ![]() Flula Borg is 1 of the famous people in our database with the age of 37 years old. He also has a position among the list of Most popular DJ. He is one of the Richest DJ who was born in Germany. He has ranked on the list of those famous people who were born on March 28, 1982. On Popular Bio, He is one of the successful DJ. He further gained popularity following his video blog post titled “Jennifer is a Party Pooper” in 2011. ![]() He was a Schuhplatter dancer in Germany he first made his presence known in America with an appearance in a documentary called Take Me Home James in 2011. He appeared on Netflix’s Chelsea, starring Chelsea Handler. He’s known for posting his original music, interviews and collaborations with a variety of celebrities, and much more. Techno DJ, producer, and singer-songwriter who became popular through his YouTube channel, djflula. Flula Borg was born in Erlangen, Germany on March 28, 1982. ![]() Besides, in order to save much of your time, this program supports batch burn. Also it can help you capture the screenshot when you meet the pictures you like and share them with your friends. You can enjoy a movie marathon with boosted audio and customize the picture optimization settings. It lacks some features and functionality, but it's a good, simple video player for the price. Also, you can add and edit the subtitle for DVD movie according to your needs.ĪnyMP4 DVD Creator can provide you the fast burning speed and high quality. The AnyMP4 Blu-ray Player works for multiple operating systems and with a variety of physical and digital video formats. 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Moreover, this DVD maker can help you add the audio track and subtitle and you can choose your preferred menu templates, frames and button styles. AnyMP4 DVD Creator is the professional Video to DVD Burner, it has the capability to convert all kinds of popular videos like 3GP, AVI, MP4, TS, FLV, MKV and more to DVD disc, and it can also help you create DVD folder and ISO file with fast speed and excellent quality. ![]() It is actually very interesting that we may have found a chip with (likely) some modest security in this cable. Both Apple and Texas Instruments (separately) have documented this security technology in a number of related patents (applied and issued) wherein they describe the passing of information from the host through to the accessory. It has additional application in smart battery applications. This has useful application by allowing "handshake" access to only certain function necessary for the functioning of a peripheral (such as a speaker docking station) without allowing access to the full functionality of the phone. Additionally, Apple has a number of patents related to authentication and security between devices. ![]() This means that Apple needs to apply some intelligence to what wire is sending and receiving the signals because there are fewer connections, but just as much data. Part of the magic going on is that the Lightning connector features fewer direct connections than the prior generation connector. This is certainly all consistent with a serial communication chip including some simple security features. There are also some large driver transistors, quite a bit of analog circuitry, and a fair amount of capacitance. Also on the chip is the EPROM, with likely 64 or 128 bits of storage (visual inspection only, full RE not completed). This block includes about 5K gates of logic. There is a digital logic block occupying the top left portion of the chip. On this sample, we have been able to see some further details of this chip. We continued our lab work on the BQ2025 and now have a lower metal sample to view (and purchase in the TechInsights store). It would also seem likely that it includes an SDQ interface. So, it is certainly likely that the BQ2025 does have some security implemented on it. All use a single wire SDQ interface (TI’s proprietary serial communications protocol). However, all four do have some common characteristics. These four chips are cataloged on TI’s website as battery fuel gauges, but they are not identical, with three of them being serial EPROMs and one of them being a battery monitor IC. ![]() However, TI does have published datasheets on the BQ2022, BQ2023, BQ2024, and BQ2026. Once we stripped away the cable housing (easier said than done), and took the die out of the package, we found die markings of “BQ2025”. The side image shows the location of the TI chip on the lightning connector. ![]() Isn’t this a good commitment? You know, Peter told Jesus the same thing on the night he was betrayed. What he sees he likes so he says to Jesus, “I will follow you wherever you go!” Now think about those words. Perhaps he has seen Jesus feed the 5000, or heal the demon possessed boy. ![]() This first guy is obviously impressed with Jesus. Two people tell Jesus that they will follow him and one person Jesus calls and says to him, “Follow me.” These three cases reveal the radical commitment following Jesus entails.ĥ7-58. Jesus rebukes them! Retaliating against those who reject you is not what it means to follow Jesus!Īnd now we come to the very last part of the chapter. The Samaritan rejection made James and John upset! They were mad! Lord, do you want us to call down fire from heaven and burn them up! Oooooh! Youuuuuu! Samaritans! Luke’s gospel is the one that tells more positive stories about Samaritans than any other, yet here we see their prejudice coming out against Jesus because he is heading to Jerusalem. The Samaritans reject Jesus because of this. Trying to stop others who aren’t with us who are doing good things in the name of Jesus is not what it means to follow Jesus! This is a distraction at best, and destructive at worst. His disciples are not to spend their time shooting down others that are doing good things in Jesus’ name, but not joining their following. Then John pipes up and tells Jesus that they saw someone casting out demons in Jesus’ name, but we tried to stop him, because he doesn’t follow with us. Typical! Are they listening to Jesus? Are they getting the point? Is his message getting through to them? Seeking greatness is not what it means to follow Jesus. That may happen, but that’s not the point.Īfter this the disciples have an argument about who among them is the greatest. Following Jesus is not about making big impressions on people through powerful works of wonder. Don’t get so impressed with what just happened that you forget where I’m going and what’s going to happen to me. Next in Luke 9 Jesus heals a demon possessed boy and as everyone is amazed at this he turns to his disciples and says this: 44. Wow! Above Moses and Elijah, God is saying, “This is My Son, listen to Him!” God is confirming not only that Jesus must go to Jerusalem to die, but also this: When Jesus calls us to follow him, we must listen and do it, no matter what! What did Moses and Elijah discuss with Jesus here? This is followed up by God’s confirmation of Jesus as the one we must listen to: 32-35. So radical, so self-sacrificial, we want to turn away from it. Is there any doubt here that Jesus knows what he will face? Did you notice what Jesus expects of those who follow him? This definition sets the course of the rest of this gospel. He also teaches his own disciples and us what following him is all about. Jesus was following his Father’s will, and along the way he calls others to follow him too. Look with me at a few passages in Luke 9 that tell us this and remind us that Jesus willingly went to the cross, obedient to his Father’s will. ![]() He will be arrested on trumped up charges and be falsely accused by the very Jewish leaders that are supposed to teach and practice the Law of God, yet they miserably broke it as they piously put Jesus to death. He will face abandonment of his disciples and betrayal by Judas Iscariot. He knows that this journey will lead him into conflict and suffering. Jesus knows why he came and what he is up against. From this point on, Jesus is heading for Jerusalem and he knows exactly what awaits him there. It is an important transition in Jesus’ ministry that marks a major milestone of the beginning of the end of his earthly life. Luke’s gospel makes a turn here at chapter 9. Because following Jesus includes going down the same path and to the same place while practicing the same attitudes and actions that he does. When Jesus says to us, “Follow me,” we need to see where he’s going. Martin Luther once said, “A religion that gives nothing, costs nothing and suffers nothing, is worth nothing.” (from Philip Gunther’s intro.) What does Jesus mean when he says, “Follow me”? We need to ask ourselves, am I just tagging along or truly following Jesus? ![]() It all stemmed from just two seemingly small business decisions that ended up having majorly fantastic results. In 2019, Socialite Pink saw tremendous growth. We call it “sparkle you, sparkle her,” and we’ve donated thousands of pieces to hundreds of incredible non-profits since our start. With all of these changes, I decided to update our giving to a simple one-for-one program: for every piece of jewelry that Socialite Pink sells, we’ll donate a piece to a girl or woman going through a tough time. ![]() I also added in large market vendor events. After two years of this social selling business model, I decided to focus on online sales and wholesale. Slowly the shows became bigger and bigger, eventually becoming full-blown fundraisers with 40 attendees. ![]() From the very beginning, we gave a portion of each party’s proceeds to a charity of the hostess’ choosing. I started the company by doing small jewelry trunk shows in women’s homes. I took some classes at a local bead shop and viola… Socialite Pink was born. I’d never made jewelry before but I was determined to figure it out. It took about a year of journaling and praying before I came up with the answer: I would start a small business based on three things: women encouraging women, giving back and gorgeous jewelry. I practiced commercial real estate law for seven years when I suddenly stopped and asked myself: “What do I want to be when I grow up? What do I want my life to look like and what do I want my story to be?” I was craving a creative outlet and a career where I felt that I was making a difference in someone’s life. We’d love to hear how you got started and how the journey has been so far. Today we’d like to introduce you to Brooke Reynolds.īrooke, let’s start with your story. |